It all started with a commission, a request for a discreet luggage rack, to be placed in the corner of a five-star suite in Bordeaux.
But as the conversation with the client unfolded, the project began to shift. What was meant to be functional became symbolic.
I saw the opportunity to tell a different story, to create a piece that would speak in silence.
That first piece became a bench: cast bronze sculpted entirely by hand, paired with brushed wood. Its form echoed the ruins of forgotten cathedrals, fractured yet rising. I wanted it to feel both grounded and ghostly, as though it had survived something.
As though it remembered. From there, the story expanded. Other pieces followed, each carrying the same quiet tension, the same brutal elegance.
Enjoy The Silence» is not a collection in the conventional sense, it’s a language I’m developing. A way of speaking without
words. A response to the violence of stillness, and the beauty we can find within it. This ongoing body of work is deeply tied to my vision of neo-romanticism: theatrical, raw, emotionally charged, but always restrained. I carve into matter as if I were trying to unearth something forgotten. And sometimes, silence is where I find it.
Enjoy The Silence» is not a collection in the conventional sense, it’s a language I’m developing. A way of speaking without words. A response to the violence of stillness, and the beauty we can find within it. This ongoing body of work is deeply tied to my vision of neo-romanticism: theatrical, raw, emotionally charged, but always restrained. I carve into matter as if I were trying to unearth something forgotten. And sometimes, silence
is where I find it.
This mythology is a quiet manifesto. A tribute to resilience.
To the strange, the fragile and the unresolved.
To everything that breaks and still finds a way to bloom.
